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The monuments in Laxton church (2)
By William Stevenson
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Effigies of the Everinghams, Laxton. |
Following the figures in order of date, we must now re-cross the chancel
and turn to the one in the south chapel. Here we have a later effigy,
evidently that of Baron Adam de Everingham, the younger, who died in
1370. The costume is continuous in date and highly elaborated. The surcoat,
now possibly of buckskin, is cut short, having lost every indication
of a loose or folding garment, and takes the form of a jupon, fashionable
from 1350 to the opening of the following century. The older ring-mail
is here restricted to the head, neck, and body ; plate armour, which
afterwards became general, here makes an early appearance, the shoulders,
elbows, lower limbs, and feet having this kind of protection, and the
feet being also provided with prick or pointed toes, and furnished with
rowel spurs. These last came into use about 1325. The figure is furnished
with cuffed gauntlets, fashionable a few years later. This is a very
late example of the crossed legs and the shield on the left arm. The
figure is depicted in the attitude of using the sword, held by some to
imply that the knight fell in battle. This effigy is wrought in Mansfield
stone, of coarser grain and darker colour than in the first-mentioned
example.
We will conclude our notice of this enviable group of knightly figures,
in this old-world village, by noticing the headless trunk which lies
beside the preceding ones on the floor of the chancel, wrought in the
still more luxurious material of alabaster. Its richness has not preserved
it from injury, for it is the most mutilated one in the whole collection.
It is unquestionably the effigy of Baron Reginald de Everingham, the
last of the stately family, if we except his youthful son, who only survived
his father a short time. This Reginald died in 1399. In Thoroton's time
the figure reposed on a raised tomb in the south chapel, with the Everingham
lion rampant painted on the breast, as was the custom when the blazoned
shield no longer figured on the left arm. In Throsby's time the head
was broken off and placed in another part of the church. We have nothing
now but an almost armless trunk. The head would have worn a conical or
pointed basinet. The camail protecting the neck still obtains, a feature
which disappeared by 1410, at which date also the tight-fitting jupon
was replaced by plate armour. The jupon is here fringed on its lower
edge. The hauberk, or ring-mail, beneath the jupon is further shortened,
and plate armour covers the limbs. This tomb appears to have survived
down to the late restoration, as some important remains of it are still
in the churchyard against the north wall of the church.
The sword belt is worn horizontally across the hips, and is beautifully
decorated with metal plates. The sword has moved to the left side, and
a new instrument, the misericordia, or dagger, is introduced on the right
side. Here for the first time we have the helm, or helmet, developed
into an ostentatious detail. The older pillow supporting the head has
disappeared, and the helm takes its place. The mutilated crest, an animal's
head, surmounting it is probably the demi-lion of the Everinghams.
The introduction of the helm does not imply that it was a new piece
of defensive armour. It was common in King John's time, and, being flat-topped,
was called a pot-helmet. The helm was only used in battle and in tournaments,
mainly to protect the face from the cut of the sword, which the head-gear,
shown on the other figures, was incapable of doing.
It would seem that throughout the middle ages the wearing of the helmet
was not considered seemly, when the knights were depicted in the attitude
of prayer.
It is very satisfactory to know that these mediaeval treasures are in
such safe hands as those of the present vicar of Laxton, who takes unbounded
pride in his church and its interesting features, as well as in all the
archaeological objects with which his parish abounds.
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